Although we’re nearly 4,000 miles from home, we can’t escape the specter of Donald Trump. He’s seemingly everywhere, whether he’s pooping out Armageddon on his throne at the Ulster Museum or acting eerily like Santa Claus in the Lyric Theatre production of “What the Reindeer Saw.”
While Marilynn was in Dublin giving another public “Hopdance” lecture, Declan and I had the day to ourselves. After a somewhat lazy morning, we headed to the Ulster Museum to see art from our friends Marcus Patton and Joanna Mules. They are part of a Royal Ulster Academy (RUA) 136th annual exhibition at the museum. The Ulster Museum is free to visit and always fun.
Get yours in the gift shop
Marcus and Joanna were friends with Stewart Parker when he studied at Queens University Belfast in the ‘60s and were invaluable to Marilynn’s biography of the playwright. They live a few blocks from the museum (and Queens), and no visit to Belfast would be complete without stopping by their imposing Victorian duplex (not kidding) for a gin-and-tonic, a warm fire and good craic.
Marcus is a talented illustrator who is showing an architectural watercolor in this year’s exhibition. Joanna submitted two bronze sculptures, a medium she took up recently. Joanna is a skilled painter and portrait artist who did a rough sketch of Marilynn this summer for a series of portraits of writers reading from their work. There is a future column on that experience coming up.
While perusing this year’s artwork, we came across this multimedia work of Trump pictured at top. Whether you think Trump will make America great again or drive us all off a cliff, you must agree that Kyle Alexander Lundy’s representation certainly is provocative. According to the description, photo prints are available, if you’re interested in adding to your art collection.
A Trump-like character in the guise of Kris Kringle made an appearance later that night in the Lyric Theatre’s original production of “What the Reindeer Saw.” It’s no coincidence that the ascendant Santa happens to be the 45th incarnation of Claus who wants to break all the rules before understanding why the rules exist in the first place. Maybe it’s to make the North Pole great again, but it didn’t work any better in the play than the US president has managed thus far in real life.
Instead of learning how to drive the sleigh and making his list (not to mention checking it twice), Santa prefers to spend his time at his own Mar-a-Lago, the reindeer shed. There he plays reindeer games with Prancer and his pals, although games are difficult to play among those lacking opposable thumbs.
Much PG-14 hilarity ensues, including liberal use of the “f” word at one point, a succession of fart jokes and a randy Santa wanting to make merry on his desk with Mrs. Claus, who was played by a dude. For good measure, throw in fractured Christmas tunes, local references (many of which flew right over my head) and a lot of snow at the end.
While not a panto, I guess every Irish Christmas play must have its own version of a dame (who is always a dude in drag). And like a panto, the play had a happy ending. I sure hope we can say the same thing about a Trump presidency.
2 thoughts on “Trump Tales Follow Us to Emerald Isle”
Are you getting the “Yew Yanks” thing, wherein you are held personally responsible by a British Islander for the entirety of US policy and missteps? (I was in the UK during the Bush/Gore/Hanging Chad business, and eventually claimed to be Canadian. They don’t pick on Canadians. That would be like kicking their doddering maiden aunt.)
Thank goodness, no. As I’ve explained to other Irish/UK residents, you might find a Trump supporter in a day port-of-call from a cruise ship, but you aren’t likely to find one traveling on one’s own in another country. Strange but true, at least from personal experience. And I can’t pass for anything other than American Southerner.